Chapter 1: Valhalla-Bound at the Speed of Sound
In the middle of a vast plain, a single, well-travelled dirt road led to a tower. The tower was circular and made wholly of a dark gray stone, and it stood hundreds, if not a thousand feet tall. Stained glass windows dotted its side at points. Its walls were inscribed, giving the stark gray building depth it otherwise lacked. If one were to stare for a while, they could see faint trails of light dancing along the engravings. They were the dim afterglow of enchantments that kept such a piece of architecture standing.
On one of the floors in the middle of the colossal structure, a set of gray eyes stared out the stained-glass window, peering at the sun. Or rather, the suns—dual balls of fire stood high in the sky, partially shielded by clouds. One star was white, the other orange. The white star was the smaller of the two.
The owner of the gray eyes was a remarkably tall man with wavy obsidian-color hair. He sat cross-legged at a window-side table, a bronze hand mirror hanging loosely from his idle hand. He wore drab gray robes that looked to be made of burlap. An owl had been sewn onto the shoulders of his garments. The robes covered his figure well, but his pale bony fingers and gaunt face betrayed a skinny physique. Despite his gauntness, though, he was quite handsome.
The man’s name was Argrave. Staring at these two suns in the sky, he was rather confident he had gone through the five stages of grief in the past few hours: denial, anger, bargaining, depression, and then acceptance.
The subject of his grief was himself—or rather, his past life.
Argrave’s first reaction, denial, could perhaps be considered ordinary when awakening in a body wholly unfamiliar to him. These long, skinny legs and these harsh, steely eyes must have been the result of an overactive subconscious, he was sure. Alternate realities were merely theories without evidence. This ‘transmigration’ must be a fever dream induced by… well, fever, naturally.
But reality refused to change, and he was forced to confront a fact; he had transmigrated into a game, namely, ‘Heroes of Berendar.’
In the ‘anger’ phase of grief, Argrave stewed over what he had left. He was just a college student—a college student midway through his studies, at that. His life was just beginning. Now, he was here? He was in a miserable world where most of the cities lack basic sanitation?
But Argrave had always been a calm person in his past life, and his anger faded quickly.
Argrave third tried to bargain in his process of grief. He pleaded to whatever existence had taken him here to take him back—or better yet, to give him a different character. Why had he transmigrated into this game, ‘Heroes of Berendar?’ Why had he transmigrated into Argrave of Vasquer, a person all but universally reviled? Argrave of Vasquer was a bastard of the royal family, not some noble scion. He was but a minor NPC in ‘Heroes of Berendar,’ and one who met a very unpleasant end regardless of the player’s interference.
But Argrave’s pleas went unanswered, and his situation did not change.
Argrave fourth sank into the most infamous stage of grief: depression. He had gone from a college student to a miserable, sickly, and altogether worthless villain. Many people felt a good degree of ill-will towards him. The fact that it was his favorite game did little to curb his mental anguish. Even if he wished to enjoy the world of ‘Heroes of Berendar,’ he would need to navigate away from the thousand pitfalls Argrave had by his feet.
To his fortune, the worst of the five stages came and went quickly.
Argrave fifth entered a tranquil acceptance. This was his life. He was in a bad position, sure, but in ‘Heroes of Berendar,’ his future prospects were limitless. That could be said for everyone, of course, but having those prospects and knowing how to use them was different. Argrave knew more about this world than most of its denizens, after all.
Some would call Argrave in his former life a ‘lore master,’ or perhaps a ‘master of esoteric knowledge.’ Most preferred the term, ‘weird nerd that fills out game wikis.’ Some people had to be martyrs, delving through the game for thousands of hours to fill out wiki articles that future players would use. Argrave was one such underappreciated saint. He was the primary contributor to the ‘Heroes of Berendar’ wiki.
One might think this extensive knowledge would reassure Argrave. Instead, it only served as fuel for his dread.
A game, especially an open-world action RPG like ‘Heroes of Berendar,’ used conflict to make players have fun. ‘Heroes of Berendar’ was fun, indeed; it had great wars, foul monsters, ancient calamities and gods, and other such ‘fun’ gameplay. The game was a grim gothic fantasy.
Yet another detail bothered Argrave more. The game had nine pre-made characters to select from, each with varying styles. One could make a custom character, too. Their personalities were all different, as were the paths they took to confront the final boss, Gerechtigkeit. Only one thing remained consistent, no matter which of them the player selected.
Argrave lifted the bronze hand mirror on the table. He didn’t see his gray eyes looking back at him. Instead, a familiar sight greeted him.
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