"Hmm, I'm tired..."
"Hey, tired, painter. How's the Sage Conference going?
"Now, I don't care if you ask me how it is. I think it's going well, but perhaps it's still before the challenge of writing down all the information Barca asks for."
I see. Well, I knew it would take time from the start. Waiting for your patience. "
"Will Barca not participate in this meeting of wise men?
"Me? What do you want me to tell you that I'm a very normal person in this freak group?
"No, Barca-sama is the best of them... No, it's nothing. But Vulka will have enough knowledge to participate in this discussion. The story of magic creation is more familiar than anyone else, and in terms of cultural literacy, isn't the depth of Barca-sama's poetry famous?"
"Poetry. Clarisse taught me to marry Lillina. I'm sure I'm more familiar with it than usual, but I can't use Mindfulness or Parallel Processing of people with a lead last name. It's hard to attend that meeting."
Over a hundred freaks pushed into the main hall of Barca Castle.
At the wisdom conference by the freaks, work was being done on a collection of knowledge in all fields that had never existed before.
The painter who was attending the sage meeting found him coming out of the room for a break, so I decided to listen to him.
The work is going well.
However, it seems that the final goal is only a big one and we don't see the end yet.
The painter told me to join me in that conversation.
Actually, I think that would be interesting.
Making my knowledge heard by the maniacs here may also give me a chance to realize something I didn't realize myself.
In terms of creating magic, I don't think anyone has more experience than I do, but perhaps there is no one who has any information.
Speaking of culture, I am also quite familiar with poetry.
Clarice suggested me study poetry when I married Lillina, who was just a triple boy from a poor farmhouse, so that I could have a minimal educational relationship.
Making poems is why this is so deep.
Because I had to be conscious of the poems of famous poets made in the past, rather than simply writing things that came to mind.
For example, the famous poems of the past that are associated with expressing whether the moon floats in any situation, even if you just want to say that the moon floats in the night sky is beautiful.
Readers appreciate newly created poems in contrast to those of the past, so they couldn't write without the knowledge of the poems they've read so far.
And, of course, I didn't have that kind of knowledge because I was from a poor farmer.
But I studied desperately because Liliana told me that I had to be educated properly.
So my approach was to collect existing poems as much as possible, systematically understand them, and use them.
Apparently, this methodology was not very common.
Clarisse said that it was usually by touching various poems from childhood that he learned and gained knowledge of poetry that was sensorially good.
However, because of that study, the amount of knowledge of poetry that I have continued to possess since my marriage has become quite specialized so as not to attract attention from other cultures.
Incidentally, when I bought the ruling of the aristocrats on behalf of the Fontana family, it was somewhat related that I was able to hold back the dissatisfaction from the surroundings and work.
At that time, the poetry I made was quite famous, and it was recognized that I was not just a peasant, but an educated person who worked a little positive.
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