Afterword
These days, I do most of my writing in a cafe. My house is too full of temptations like games and plamodels to get any work done, but when I’m in a cafe, I end up wasting a lot of time messing around with my smartphone.
I’m sure others have pointed this out before, but a smartphone is really a demonic invention. It’s worse than a kotatsu! They’re so versatile that on days when I’m not in the groove, I pretty much spend the whole day at the cafe messing around on my smartphone... That’s really bad, so I bought a more simple model and started leaving my smartphone at home. It’s the bare-bones kind for old people that only does calls and emails. Since then, things have proceeded smoothly.
Robbed of any other outlet, I’m forced to focus on the manuscript in front of me. Incredible! Though it makes me realize how much time I’ve lost to those demon machines in the past...
Well, let’s talk about each episode.
Adachi Eiko is Not an Adult
It’s more a story about bad fathers than it is about Eiko.
I hadn’t thought about making the ABC girls into an idol unit when I first established them back in volume two, but it’s ended up that way, so I might keep expanding on that.
I had to record some commentary for the anime, so I’ve experienced that feeling of speaking excitedly into the microphone, only to be met by silence. It’s a thing voice actors deal with a lot, I guess, but maybe it comes naturally when you’re a pro.
Anyway, this concludes the series of using the park’s part-timer trio to help us get to know the “three stooges.” We’re reaching the part where I’ll have to start advancing the story of Latifah’s curse and the attendance issue. Now, how the hell am I going to do that?
Also, the music producer for the anime, Mr. Ishikawa, taught me a whole lot about CD production. Thank you very much!
After the Iron Phore
I wrote this short farcical story because I hadn’t written much about the four elemental spirits yet.
September 2014, Shouji Gatou
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