I grabbed my bass and escaped from the classroom immediately after school, heading straight towards the roof. Once I got there, I saw a girl in her uniform sitting on the wired fence, looking towards the sky. Her hair was caressed by the winds, and she seemed to be in a pretty good mood. It was Kagurazaka-senpai.
"Isn't that a little too slow, young man? The after-school bell already ended."
"No, it's Senpai who's too early......"
Lessons were still ongoing, so how could she get here before the bell finished ringing?
"The melody of the time signal at the factory opposite of us overlaps with the chimes of our school at this time, resulting in a coincidental and intriguing polyphony. I really hoped you could listen to it, young man."
"Haa." Speaking of which, it's a little too dangerous for you to be sitting at such a high place, right?
Senpai jumped down from the fence and landed right in front of me.
"Have you decided to join our club?"
"Well......" I removed the bass that was slung across my shoulders and leaned it against the fence. I was slightly hesitant with my words. "I'll need your help to learn the bass, but as for joining the band......"
"Why?" Senpai arched her beautifully-shaped brows.
"Because I just want to win back that classroom so I can listen to my CDs. I'm not playing the bass for Senpai's sake."
"But you came here quickly according to my instructions."
"That's simply because I'll need Senpai's help if I want to teach Mafuyu a proper lesson."
"So by needing my help, you're referring to me teaching you how to play the bass. You're using me just like I'm using you, right?"
The way she put it was rather blunt, but I still nodded my head honestly. If it meant winning against Mafuyu, I couldn't care less about my image.
A smile appeared on Senpai's face.
"Mmm, I see. You no longer have the expression of a loser."
Her smile wasn't as theatrical as usual—instead, it was an extremely natural smile. I was shocked.
"Isn't this fine? I've already predicted that you'll be joining us anyway. So let's begin!"
Senpai squatted down and took out a bunch of stuff from the backpack on the floor: a mini-amplifier with batteries in it, the cables for the amplifier, and replacement strings for the bass.
"...... But, why do we need to practice on the roof?"
"Young man, what do you think is the first step in training for the basics of bass?"
She directed the question at me as she took the strings out of a bag and unwound them.
"Hmm—isn't it practicing the finger crab walk?"
It's a sort of repetitive practice of the basics. The player sets a fixed tempo and begins pressing on the frets in order—moving from the index finger to the little finger—then plays out each scale in order. Because the left hand moves horizontally inwards little by little, some people call it the finger crab walk. Sounds noobish, but it covers the basics of guitar playing. However, Senpai shook her head.
"There's another thing that needs to be done before that. It's the reason why I called you up to the roof."
Senpai pulled the string tightly by its ends.
"I've set up a tightrope from here to the roof of the opposite dormitory using a string. You shall walk on it to the other side of the building."
I was stunned. I nearly dropped the bass as I was taking it out from its case.
"...... Eh?"
"You can't be a bassist if you can't entrust your life to the strings. I'll be here praying for your safety. You'd probably die if you fell off, so you better prepare yourself mentally first."
"No, no no no, what the heck are you talking about?"
"My my," Senpai shrugged.
"To become a bassist, it is necessary for you to undergo special training that puts your life at risk. You mean you don't know? Even the most famous bassists of Japan had undergone all sorts of training with their lives on the line. For example, they'd knock their head repeatedly with a tin can, or expose themselves to the blazing fire of a gas explosion...... and so on."
"So the famous bassists of Japan whom you're referring to...... are?"
"The deceased Ikariya Chosuke." [TLNote: Wiki page here]
"The Drifters is a comedy group, isn't it!?" I slammed the bass case against the ground. [TLNote: It's the Japanese band/comedy group, and not the English one.]
"The Drifters is a band as well! They were the opening act for The Beatles' concert. That's really rude of you, young man."
"I know that, so stop trying to change the subject!"
"The thing about the tightrope was obviously a joke. The first thing you should do is change the strings of the bass. Since the instrument has been in the store for quite a while, the elasticity of the strings has gradually slackened."
T-This person is just......
I didn't think there was any point in saying anything, so I just changed the four strings in silence.
"The real reason for me calling you up to the roof, is that!"
Kagurazaka-senpai pressed against the fence and pointed downwards. Without even looking at where she was pointing, I understood what Senpai was referring to—as the sounds of the guitar entered my ears. The classroom that Mafuyu practiced her guitar in was right beneath us.
Then again, I had taught her how to soundproof the room with the towel, so why could I still hear the sounds of her guitar? The carefree melody was Ravels' <Pavane for a Dead Princess>. Was it due to the shock of our classmates addressing her as 'Princess'?
"It was seven days ago."
Kagurazaka-senpai leaned her back against the fence and gazed into the sky.
"I was skipping classes starting from the very first period, and stayed here till school was over, listening to the sounds of the streets."
What's this person in school for?
"Then, the sun gradually began to set, and just when it felt like it was about to rain, the sound of that guitar came. It was Book II of Bach's <The Well-Tempered Clavier>. However, she skipped the fugues and played only the preludes. I was so pissed I didn't notice it was already raining—I sat down and continued listening."
"You'll catch a cold like that......"
"All she played were the preludes, right up to No. 24 in B minor—it was sweet torture. Then, I heard the door opening, so I snuck a peek at the room and saw a beautiful girl walking out. Her hair was a clear maroon color—it was just like frozen maple syrup. That was enough for me to fall for her."
The bass slipped off my knees and fell to the ground.
"Urm...... Senpai?"
"Hmm?"
"But Mafuyu's a girl?"
"So what? I like beautiful things. In my eyes, gender doesn't matter. Why do you think I allowed Aihara Chiaki to join the band as our comrade? Because she's cute."
"Please don't say such shocking things nonchalantly."
"In any case, I never expected her to be able to play the drums that well in less than a year."
"Chiaki would cry if she heard that from you."
"No problem. I'll tell Comrade Chiaki about my tastes unreservedly."
"So everyone really does think you're someone who'll get her hands on whatever she wants?"
I was shocked speechless. I never thought she'd be a person like that. I should just learn bass by myself—it's still not too late for me to turn back. I began to tune my bass while thinking of that.
"However, Ebisawa Mafuyu didn't listen to a single word I said. Also, based on my detailed observations, for some unknown reason, you're the only person in this school whom she'll converse with."
I jumped in shock and lifted my head.
What appeared before me was that destructively cute smile of Senpai's, which she had only used once that week.
"Therefore, young man, I need your strength."
I had no idea why, but I couldn't look straight into Senpai's eyes—all I could do was shift my gaze back to the bass in my hands. That was the first time someone had said that to me in my entire life. No, wait a second, calm down and think about it properly. Senpai said herself that I'm just a pawn to be used by her.
"So your actual plan is to gather a bunch of cute girls, right? It's not really about the band."
I voiced the doubt within me, but all Kagurazaka-senpai did was tilt her head and look at me with her eyes blinking repeatedly.
All these conversations I had with her weren't just hallucinations of mine, right? That thought suddenly flashed past my mind.
"Young man, do you know why humans are born into this world?"
What's with the sudden question? How could I possibly know!
"The answer's simple. Humans are born into this world for love and revolution."
Suddenly, the wind breezed past us, lifting Senpai's long hair. I nearly fell over, despite only feeling a faint gust of wind on my shoulders. Why's she saying all this? Do I harbor some misunderstanding about what life is all about? These questions appeared in my mind for a very brief moment.
"Lev Trotsky...... you probably don't know about him, do you?" [TLNote: Or better known as Leon Trotsky]
I no longer had the strength to shake my head.
"He was the second-to-last revolutionist! He fled to Mexico after losing to his comrade, Joseph Stalin, in a political battle. He died before witnessing the start of the revolution of the world. However, his misfortune was not because Stalin was not by his side......"
Senpai took my bass away from my hands blankly and plugged it into the amplifier.
"His misfortune was that Paul McCartney was not by his side. The last revolutionist, John Lennon—he was lucky to have had Paul McCartney next to him."
Senpai suppressed her overwhelming emotions and began to pick the strings with her nails. A series of intense and out-of-tune sounds blared from the amplifiers, stimulating my ears. I couldn't understand at all—how could the thick strings of the bass produce such a high-pitched sound? She was playing the prelude of The Beatles' <Revolution>. It's the song of revolution written by John Lennon, and it's a song that's widely misunderstood.
"Love, revolution and music are inseparable in my life. The strength to push for the never-ending revolution; the strength to find the Paul who belongs only to me; and the strength to convert these thoughts into songs that I sing—there is no difference between the three. Young man, are you satisfied with the answer I gave you?"
Is your answer even directed towards my question......?
"Ah, I'm totally clueless about what you're trying to say."
Just as I was about to voice some of my thoughts, Senpai knitted her brows and shook her head, mumbling, "My, my."
"Can't help it then. To put it in simpler terms you can understand, it's like this: aside from gathering a bunch of cute girls, I'm serious about forming a band as well."
"Then just say that right at the start!" I banged the case yet again.
"It's better to be a little more poetic."
"You always treat others as idiots as well, don't you Senpai? And stop with that proud look of yours—I'm not praising you."
"Young man, your reactions are quite interesting. Come here."
Senpai was smiling bashfully. Come here? Be slightly more polite, will you!
"Well then, let's modify the bass. I'm quite troubled by your knack for going off-topic." Me? It's my fault? Just as I was about to speak, Senpai suddenly returned the bass to me.
"We'll have to create the sound before you practice. See, I've brought all sorts of pickups here. You have your tools handy, right?"
Senpai took out a few guitar parts from her backpack. A pickup is something that captures the vibration of the strings. By changing these parts, the tone of the instrument can change significantly. Other modifications include changing the internal wiring and etc., with the most extreme being punching holes in the guitar itself.
"....... You mean, we're going to modify the bass right now?"
"That Aria Pro II of yours is a cheap bass, but I specially chose it in consideration of the timbre of Ebisawa Mafuyu's Stratocaster. However, that's not enough. This bass is unable to create the tones that offer a perfect response to her guitar."
Senpai pointed beneath the fence. A series of glamorous rapid strummings of the guitar, played by Mafuyu, came from that direction. I see, so that's the reason for summoning me to the roof?
Senpai and I repeatedly pondered on how to modify the bass. It was really interesting, and it just so happened that I was good at it as well.
"...... The sounds of your bass are already comparable to those of the bass of Greg Lake."
After two long hours, Kagurazaka-senpai took the completed bass—amid the heaps of wood shavings, metal bits, and pieces of snipped strings—and said that with praise. I was slightly embarrassed by that.
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